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Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

31 July 2017

Kid Rock - The People's Senator

This piece will (probably) be published soon at American Patriot Radio (Link).  You can read some of my other writings there; I recommend "Pat Buchanan's America." 

Political wags and armchair pundits--like yours truly--have been abuzz about the possibility of a Kid Rock Senate run in 2018.  He'd be running against Democratic incumbent Senator Debbie Stabenow--if he can win the Republican primaries--in a Trump-style insurgency campaign.

Immediate speculation focused on Kid Rock's website, www.kidrockforsenate.com, and whether or not the Detroit rocker was serious, or just boosting publicity for his music.  Kid Rock (real name Robert Ritchie) is offering campaign apparel on the website, including bumper stickers.

I purchased a bumper sticker ($5... plus $6.99 shipping) and it billed to Warner Brothers, not a "Kid Rock for Senate" campaign committee.  Nevertheless, Kid Rock appears to be serious:  he's made an announcement at www.kidrock.com (link).

The announcement is straight out of Trump's playbook:  he goes after "fake news," promises to be "a voice for tax paying, hardworking AMERICANS," and invokes "We the People."

Kid Rock is a populist at heart, and we're living in a populist moment.

There's not much to add to what's already been said, but I'll go out on a limb and say that Kid Rock should definitely run--and I think he can win.  As Michigan native Jordan Gehrke writes at The Federalist:

"The Michigan Senate race will be the most-watched campaign in America in 2018 if he runs. It’s got everything: celebrity, a battleground Trump won in 2016 and must win again to get re-elected, a conventional, disciplined, well-funded Democrat, a re-run of 2016, and a trailer for 2020, all rolled into one."  (Link)

Naturally, the Establishment is poo-pooing Kid Rock's potential run as the "dumbing down" of America.  Sure, he's crude, he's crass, he's kind of trashy--but he really seems to care about the people of Michigan.  And they love him.  While it's unlikely that any Republican will ever win Detroit in its current state, none has the opportunity to suck up votes in the city better than hometown hero Kid Rock.  With the support from rural Michigan--bona fide Trump Country--Kid Rock could best a powerful, well-funded Democratic incumbent.  A new poll from the Trafalgar Group has Kid Rock winning the Republican primary against potential opponents handily, and within the margin of error against Stabenow

Kid Rock is a populist at heart, and we're living in a populist moment.  His care for the common man shows in his music career; for years, he's been giving big concerts (with some big-name opening acts, like Foreigner) for just $20 a ticket.  In the face of ever-rising concert ticket prices, that concern for his fans' wallets spoke volumes.  That's the same kind of connection with the "little guy" that could propel him into office on a platform of government transparency and reform.

Regardless, one thing is for sure--if Kid Rock runs, 2018 will be the most exciting midterm election season in years.

15 August 2016

Reflections on a Summer of Portliness

I'd like to thank everyone who has read and supported The Portly Politico for the past couple of months.  I've been very pleased with the overall response, and I love the engaging questions, comments, and personal attacks I've received.

Because the school year resumes this week--and my blissful summer break draws to a close--I will be slowing down the rate of output to one piece per week, probably to be released Monday mornings at 6:30 AM.  While I would love to maintain the Monday-Wednesday-Friday releases, I've taught long enough to know that keeping up that pace would be detrimental to the quality of the posts (and probably to my teaching, which keeps the lights on).

As such, I'd like to dedicate today's post to looking back on the summer, and to share some insights into how I put this thing together.

Enjoy!

--TPP

 
The Author in Repose.
(Original image c/o The Portly Politico)

***

- The Process:  When I relaunched this blog in early June--after six years without a single post--I figured I'd keep it up for a few weeks before cutting back on the frequency of posts.  After those first couple of weeks, though, I was hooked, and became committed to sticking to a regular, three-posts-a-week schedule.

It was not always easy (although, to be honest, how hard is it really to sit at a keyboard and write?).  As so often happens, my best-laid plans to have two or three pieces on file at any time quickly went astray. Just like the college history major I used to be, I found myself writing most of this summer's posts at around the same time as this one:  9 PM the night before the 6:30 AM release.  Some were written at more sensible hours (which my body, tired after long hours at my summer job as a facilities maintenance man, appreciated); Sunday afternoons often saw me writing a post for Monday.

"Deadlines... inspire.... a due date--even a self-inflicted one--is a surefire cure for writer's block."

Most of the posts took about two hours to write and edit, though some took longer.  My process usually goes something like this:  the day I needed to write a post, I'd start brainstorming ideas (if I didn't already have one in my head).  Once I hit upon a topic, I'd begin "writing" it in my head--pretty much how I've always written, going back to school--and then sit down in the evening to hammer it out.  If I'd had trouble dreaming up a topic, I'd scan The Drudge Report for headlines, hoping to find some inspiration.  Many of my posts were adapted from lectures given in the AP US History, AP Comparative Government, and US Government classes I teach during my day job.

Current events, of course, fueled the output, though I tried to avoid particularly controversial or complicated issues when they first broke.  My general policy for this blog and for political discussions is to withhold judgment until all (or most) of the facts are in, especially in the case of shootings.  That's why I never wrote about any of the various shootings that occurred over the summer, whether by or of a police officer.

Deadlines, however, inspire, and I always managed to come up with something.  It's amazing how a due date--even a self-inflicted one--is a surefire cure for writer's block.

I also required myself to post a link to every piece on Facebook, both to attract readers and to force myself to address criticisms (and, in some cases, to face attacks).  It certainly helped sharpen my thinking, and clarified the importance of citing sources frequently!

- Tough Times:  The most discouraging moment of the summer occurred while writing my "Life after Brexit" piece.  I'd had a long day and spent a very long time hammering out that piece (a good bit of which--probably for the better--was wrong), and had actually completed the post.  I was about to go to bed, but I had finished reading an op-ed National Front leader Marine Le Pen wrote to The New York Times, and wanted to include a quotation.  Somehow--and, despite my basic level of computer savvy, I don't know how--I managed to delete the entire post.

That was the closest I came to calling it quits for the night and posting a lame apology the next morning.  I rallied, however, and finally got into bed after 1 AM.  Needless to say, the next morning was not fun, but I'd stuck to my self-imposed deadlines.

The other more amusing moment was the response to "Music is for Everyone," a relatively non-controversial premise.  Someone posted a rather snarky, ridiculous commentary on a very innocuous Facebook post I made; I (against my better judgment) responded with the post linked above.  Needless to say, this nasty fellow did not take kindly to be calling out (though I suspect now it was exactly what he wanted).

"It's been a tough century for conservatives, and we needed a win.  Brexit was a major victory...."

While it was all a bit blown out of proportion, I couldn't let a vile bully go unchallenged.  Mockery is a powerful weapon against normalcy and decency; no one wants to look foolish, so no one attempts a defense.  This minor issue probably wasn't the hill to die on, but at this point, if we can't all enjoy cultural products without fear of being "appropriative" or because we don't share the artist's political beliefs, what kind of society can we hope to have?  Either one of total conformity, or none at all.

- Fun Times:  While some of my posts performed dismally, it was fun to see which posts were well-received.  I was particularly surprised that the "Family Matters" series was so popular.  To date, the initial post is the most-viewed post of all time, finally eclipsing (fairly substantially) the first true comeback post, "American Values, American Nationalism."  Apparently, many people were eager to read about the decline of the two-parent nuclear family.  Those posts generated a LOT of discussion, too, and it was interesting to read some of the comments about divorce, particularly from those who have been through it.  Many of the comments essentially acknowledged that there are exception, but that most of the time, the two-parent nuclear family is the best way to run a family.

- Brexit:  Speaking of fun times, I had a blast writing about Brexit.  It's been a tough century for conservatives, and we needed a win.  Brexit was a major victory for nationalism and sovereignty against totalizing globalism.  The predicted economic catastrophe didn't happen (and I even thought it would--I argued it was a price worth paying for independence); in fact, the stock market is reaching new heights.  We certainly haven't seen the last of the potential fallout, but I was thrilled to cover such an historic event on this humble blog.

- Monetization Denied:  Full disclosure:  one sinister reason for starting this blog was to help generate a little extra cash; after all, I'm a capitalist.  For some reason, though, my AdSense application keeps getting dinged for "insufficient content"--a laughable proposition.  Even though your sweet, sweet ad dollars didn't start rolling in, I still enjoyed the challenge and the intellectual workout of putting these posts out there.  And if you ever want me to come speak at your organization, please shoot me an e-mail at tjcook.history@gmail.com.

What happens to a dream deferred?  Does it shrivel up like a raisin in the sun?  Or does it ask for your donation to keep quality content alive and well?

- eBook:  While I won't have as much time to write new material, I plan on taking some of these posts and adapting them into one or two short eBooks.  I've already decided to take my "Family Matters" series and turn into a larger defense of social conservatism and tradition.  I'm also hoping to put together an election guide for the 2016 presidential election, with detailed information on the major and minor party candidates.  Stay tuned for more details; I recommend signing up at the top of the page to receive e-mail updates.

***

Well, that's enough navel-gazing for one day.  Thanks again for your support.  It's been a wonderful summer.  See you next week!

20 July 2016

Music is for Everyone

On the opening night of the 2016 Republican National Convention in Cleveland, Ohio, Republican presidential nominee Donald Trump made the grandest entrance in American political history (as far as I know):

Pageantry.

Whether or not you love The Donald, hate his guts, or would rather watch reruns of The Celebrity Apprentice, surely we can all unite in acknowledging that his entrance was freaking amazing.  Heck, even The Washington Post thought it was cool.  I was watching alone in my not-so-portly bungalow and began hooping and hollering like a silver-backed gorilla.

Substantive?  No.  Reason to vote Trump-Pence this November?  Hardly.  An awesome display of pageantry?  Heck, yes.

 
 The Mustache of a Champion.

The showman in me--I am, after all, an over-the-top indie musician with delusions of grandeur--had to share my elation with the world.  No thought can be left unsaid these days, so I took to Facebook.

Here's my Facebook post, and the exchange that is the subject of this piece:

A bitter progressive rains on a parade before taxing and placing racial quotas on it.

Here's a transcript:

TPP:  Whether you love or hate Donald Trump, his entrance at the Republican National Convention just now was EXACTLY how I would have done it--striding in to the strains of a Queen song as a podium rises from the floor. Holy crap...

Bitter Progressive:  Trump opens a party convention that features a platform heavily biased against marriage equality and gay rights by strolling on stage to a song written and performed by a gay man who died of AIDS.

I'm not sure which is stronger, the 2016 GOP's innate knack for unintentional self-parody ("The national seal should include an AR-15!") or its total obliviousness to the concept of irony.


TPP:  Maybe a good song is just a good song.

BP:  The cool thing about music is that there's ALWAYS something deeper.

TPP:  Listen to my EP and you'll learn otherwise. :D

(Note how I cleverly defuse the bitterness with self-deprecating humor that also doubles as shameless promotion for my debut solo EP, Contest Winner EP, available now on iTunes, Google Play, Amazon, and elsewhere.)

For a post about a major political party's convention and controversial nominee, it was probably the least possible political statement I could make... except that, in our present age, everything is politicized.

"Tolerance isn't enough; bitter progressives demand total acceptance, even celebration, of whatever happens to be their cause-of-the-moment."

A quick aside:  I'm going to ignore the "unintentional self-parody" and the GOP's "total obliviousness to the concept of irony," except to ask the following:  how exactly is a political party supposed to acknowledge irony?  Do kill-joy progressives want Donald Trump to say, "Okay, okay, that was awesome, and I'm up here to introduce my wife, but first let me acknowledge that 'We Are the Champions' was written by a gay man, so let's take a moment to check our privilege and reconsider our platform's plank on same-sex marriage"?  I suspect that, even if he did, there'd be a slew of "too little, too late" articles on HuffPo the next day.

(And let me quickly take a moment to acknowledge the irony of writing a post lamenting excessive politicization on a blog that basically has "politics" in the name.)

***

So, let's unpack the first paragraph of Bitter Progressive's first post.  He complains that Trump entered to a Queen song, because the Republican Party platform supports traditional marriage, and Freddie Mercury was gay.  While BP intends this statement to be a slam at the GOP--and as a way of virtue-signalling his own support for gay rights--he essentially reduces a talented musician to one dimension, one personal trait.

I wish homosexual Americans all the best, but I, too, question the wisdom of same-sex marriage.  Does this mean I can't listen to and appreciate Queen, simply because Freddie Mercury happened to be gay?  By this logic, I shouldn't associate with gay people at all, nor should the roughly half of Americans who vote Republican.

Aren't we supposed to reach out to people--regardless of their sexual orientation--and treat them with respect, even if we disagree?  How does demanding an effective ban on music by gay artists for half the population help bridge that gap (and what are Log Cabin Republicans to do)?  How does it increase understanding and tolerance?

"None of [Freddie Mercury's] other qualities matter... until and unless they can be used as a convenient bludgeon to force conformity to the unforeseen priorities of a future age."

It doesn't, and that's not the point.  Tolerance isn't enough; bitter progressives demand total acceptance, even celebration, of whatever happens to be their cause-of-the-moment.

The logic of BP's post also dehumanizes Freddie Mercury (and, by extension, all gay men).  No more is he a phenomenal, groundbreaking singer and songwriter.  Instead, he's defined almost entirely based on who he likes to sleep with, and in turn, our anachronistic opinions about whether or not Mercury can formalize that sexual relationship in a legal forum is supposed to dictate whether or not we are allowed to enjoy his music.  None of his other qualities matter--being a man, having an awesome mustache, possessing an amazing voice--until and unless they can be used as a convenient bludgeon to force conformity to the unforeseen priorities of a future age.

Another pop culture example:  I disagree vehemently with pretty much everything Lady Gaga has ever said or done.  Her live concerts are like modern-day Dianic rituals to some pagan fertility goddess.  She prioritizes sexual libertinism over all else.  But, damn if I don't like "Bad Romance"--and even "Born This Way," an (inaccurate) anthem for the gay rights movement.  Should I not listen to her music because I disagree with her political and social views (there are other, better, aesthetic reasons to do so)?  If BP had his way, I suppose not.

A more useful, valid critique of Trump's epic entrance would point out the danger to a free republic of falling for grand pageantry... as a substitute for responsible self-government.

A more useful, valid critique of Trump's epic entrance would point out the danger to a free republic of falling for grand pageantry--"bread and circuses," as one of my colleagues put it--as a substitute for responsible self-government.  I'll admit that I loved every second of Trump's approach, but I'm not making an important voting decision based on a fifteen second stroll.  However, some people will love it too much, and make a decision based solely on pageantry.

That's a legitimate concern.  Freddie Mercury's sex life forty years ago--which magically makes "We Are the Champions," an incredibly politics-neutral song off-limits--isn't.

***

Music should be for everyone to enjoy (songwriters should, of course, retain the rights to their works, but that's not the issue here).  If we want to build a productive civil society--one with disagreements, but common respect--we shouldn't criticize one group for enjoying a song because of an incidental personal characteristic of the songwriter.  Some of my best fans are liberals and progressives.  Should I be offended that they listen to "Hipster Girl Next Door" even if it describes their lifestyle-liberalism to a tee (surely some of them fail to recognize the irony)?  Should they shun me from their slam poetry readings and drum circles because I don't think the government should pay for urine-soaked "art"?

Of course not.  Let's grow up and just let a good song be a good song.  Maybe we'll learn something while singing together.

27 May 2009

Conservatives and Country Music

Hi again. I apologize for the delay between posts, but the last few weeks have been absolute murder. The school where I teach is finally in exam week, but I had a glut of papers to grade last week. Now I find myself with an abundance of free time, and that means another blog entry from your favorite chubby pal.

I am an avid fan of talk radio. Therefore, I am a fan of conservative talk radio. When one speaks of talk radio, it's pretty much understood that one is speaking of conservative talk show hosts like Rush Limbaugh, Sean Hannity, Neal Boortz, etc. Despite their best efforts, liberals have never been able to establish much of a foothold on the radio, although Alan Colmes does have a show that airs pretty late at night on 560 AM in Columbia. Air America, the one serious attempt at a talk radio network with a stable of liberal hosts, has filed for bankruptcy at least once, if not more, and I have honestly never heard an original Air America broadcast.

Of course, I could go off on a whole discussion of the ridiculous Fairness Doctrine and the recent attempts to get it reinstated (for the unfamiliar, the Fairness Doctrine, which the FCC abolished in 1987, stated that those holding broadcast licenses were required to give contrasting views of controversial issues), but I won't. It's painfully obvious that liberals want the Fairness Doctrine back because they aren't being heard anymore because, for whatever reason, most listeners don't want to hear what they have to say. In fact, since the Fairness Doctrine was abolished the spirit of the doctrine--to engender open debate--has been fulfilled in a way it never was while the doctrine was in effect. Whether we want to admit it or not, the mainstream news media is basically left-leaning and pro-Obama, and talk radio is basically right-leaning and pro-limited government. The left-leaning news media reports on events with its bias built-in, and right-leaning talk radio hosts ferret out the liberal bullcrap.

I'm not interested in any of this debate, however, at least not for this discussion. Suffice it to say, I know talk radio, and there's something that has struck me as rather odd: conservative hosts love country music. They absolutely adore it, and I don't know why.

Well, that's a lie. I have some theories and, naturally, I'm going to offer them up for your consumption. But first let's take a look at some talk radio hosts. Sean Hannity is probably the most obvious example. While taking a class in Columbia this past semester, I listened to Sean on 970 AM in Florence on my weekly drive down, and at the top of every hour his show would lead in with Martina McBride's "Independence Day," a soaring, super-patriotic ode to the American way of life. Okay, one song, no big deal. Then, about a week ago, Sean started promoting a series of pro-American, pro-limited government concerts that he has helped to organize, featuring, among others, Billy Ray Cyrus and Charlie Daniels. Add to that the occasional visit by a country music artist, and The Sean Hannity Show is a veritable hee-haw of country music royalty.

One show doesn't say much, though. Maybe Sean Hannity, a New Yorker, just loves country music. I'll even admit that I'm biased in thinking that Northerners aren't country music lovers, and that Sean has proven me wrong.

Then something happened that made me rethink this whole issue. This week the students at the school where I teach are taking their final exams, and so teachers are permitted to leave school early if they have nothing to do. I finished up my various tasks and hit the road around 11 this morning, and so I tuned in to 970 AM as always. At this time Laura Ingraham broadcasts her show, which I had never heard before because I'm usually knee-deep in lesson plans at 11 in the morning. So I'm listening to Laura when, all of a sudden, she starts talking about how much she loves country music. Can't get enough of it.

Sean Hannity was a hardworking construction worker in a former life. I can completely buy Hannity standing over his sledgehammer, wiping the sweat from off his brow, and listening to Garth Brooks. But Laura Ingraham? Besides the fact that she's a woman--and chicks love country music, for whatever reason--it makes no sense. The name "Ingraham" is probably the least countrified name in the world.

Now, I'll admit that I don't know much about Laura Ingraham and that I'm probably being a little sexist when I write things like "chicks love country music," but there is an undeniable trend on the right toward country music. In fact, there's a corresponding trend on the left toward rock music. How else can you explain this sudden glut of conservatives espousing their love of country music? At the same time, observe all of the activist, left-wing rockers out there: U2, The Clash, Neil Young, Elvis Costello, etc.

This is not an original revelation. South Park did an entire episode on pro-war country music lovers and anti-war rock 'n' roll protesters. I mention it because I find it all a bit disturbing--and, in a way, potentially dangerous. First of all, I really don't like country music. There are always the obvious exceptions, and I should probably qualify that by saying that I don't like new country music, but generally speaking I can't stand it (the odd thing is, most of it is just classic rock with banjos and twangy vocals).

Secondly, why should conservatives give up rock music? Chuck Klosterman, author of Fargo Rock City: A Heavy Metal Odyssey of Rural North Dakota,argues that glam metal in the 1980s "latently adopted the Republican persona of the 1980s," which was "an incredibly popular way of thinking, especially (and surprisingly) among young males" who made up the bulk of heavy metal's listeners. Heavy metal in its biggest, glammiest, most capitalistic form has fallen by the wayside, but for its time it was a musical movement that, according to Klosterman, was completely in-tune with the prevailing conservative sentiments of the Reagan era. Sure, heavy metal was an exaggeration of the already-exaggerated excesses of the 1980s, but it was the popular music of the time and reflected the mood of the nation and the political establishment, something that is pretty rare as far as pop music goes. Just look at the pop music of the 1960s and 1970s, which cast itself in a light that was decidedly anti-establishment.

So, why is this dangerous? Because I get the impression that most conservative talk show hosts are being a tad disingenuous when they talk about their love of country music. They're playing to their audience--or so they think--which they assume is made up largely of pro-war, pro-limited government, anti-Obama listeners, which is true. However, they're making the assumption that most of those listeners love country music because those are the things they believe, and I don't think that's the case. I believe in all of those things and I much prefer rock--even crappy modern rock--to country music.

The danger also comes in the increasing fragmentation of American political life geographically and culturally. I think it's safe to assume that most fans of country music are, well, those who live in the country (although every good ol' boy I've ever known has been a fan of country and rap simultaneously). But when country music becomes synonymous with one political ideology and rock music with the other, it serves to intensify political fragmentation. Suddenly, McBride's "Independence Day" becomes a post-9/11 rallying cry for anti-Obama revolutionaries instead of a genuine appreciation for the United States and its freedoms.

Instead of looking at genres of music as inherently politicized, we should be using music as a way to bridge the ever-widening gap between different ideologies. I love my talk show hosts, but if I'm right, I have to fault them on their constant peddling of country as some kind of conservative alternative to mainstream music. At the same time, liberals deserve much more of my ire, as they've effectively hijacked rock music and have been using music politically for much, much longer than conservative radio personalities. Woodstock, anyone?